The world of Vikings, brutal people from Northern Europe back in the Middle Ages, is cold and brutal. But this is already a modern classic in my eyes. Sure, 24 episodes aren’t enough to adapt everything. You don’t even need to do the three-episode test - the first episode alone is amazing and sets the tone so perfectly. Who even expected Wit Studio, which handled three seasons of Attack on Titan, to adapt a manga from 2005? And who knew they’d hit it out of the park? But I’d be lying if I said this wasn’t the best medieval anime I’ve seen so far. And Moribito does right by not treating her as a mere fanservice character, giving her a believable character development instead. Lastly, Balsa Yonsa is one of the best female MCs ever. They all feel human with how they have their own goals and perception, and the bad guys aren’t hunting the MC just because they want to be evil. Moreover, the supporting characters don’t feel like they’re made just to move the story forward. Production IG didn’t skimp on the action budget - the fight scenes here are well-choreographed and intense (thanks in part to the accompanying dark score). The world here is gorgeous, and you can sense its medieval identity just with how its forests, farmlands, and classic structures look. A happy surprise that’s absolutely worth checking out. But its characters, animation, and settings were better than many shows. I didn’t have high expectations because of the promotional art. Seirei no Moribito is a Japanese medieval series from 2007 that caught me by surprise. Seirei no Moribito (Moribito – Guardian of the Spirit) Second, they don’t just brush aside the sight of blood and death as if it were a daily occurrence - these teens get to learn the ugly reality of violence real quick.Ģ. The characters struggle with handling their varied weapons (and pointing their magical skills), relative to how physically capable they are. Moreover, while Grimgar is an isekai show, its medieval aspects are more than about its weapons and armor choices: It understands the reality of physical weight and how killing isn’t a glorious thing. So when the teenagers hunt down their first goblin, Grimgar shows how the goblin feels as well - how it’s desperate and terrified of dying. The goblins are living, breathing, thinking creatures. Instead of doing a 180-degree turn and showing goblins as cunning violent creatures, this show focused on showing that it’s not a black-and-white issue. But I absolutely believe Grimgar did a better job. In a way, Grimgar of Fantasy and Ash is the opposite of Goblin Slayer.īoth shows represented goblins in a more nuanced manner. Hai to Gensou no Grimgar (Grimgar of Fantasy and Ash)
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In nearly all of Argento’s movies, the dialogue has all been dubbed over. So what exactly makes this movie so uncanny? For starters, the dubbing. This movie truly has it all: a mysterious killer, supernatural powers, murderous apes, and freaky mutant children. Giallos from this era exploded outward then imploded in on themselves like dying stars, each one crescendoing in wilder and more unbridled chaos than the one before. But with the genre’s waning popularity came the waxing of its absurdity. With the help of entomology professor John McGregor (Donald Pleasence), his elderly chimpanzee assistant Inga, and a swarm of insects, Jennifer sets out to discover the killer’s identity-before it’s too late.īy the 1980s, the popularity of the Giallo-a stylistic, often colorful Italian slasher- was beginning to wane. The film stars Jennifer Connelly as Jennifer Corvino, a young woman with the ability to communicate with insects who arrives at an all-girls boarding school in Switzerland only to discover there’s a killer on the loose. And that’s exactly the feeling invoked by Dario Argento’s criminally underrated Phenomena (1985).Īs in Suspiria (1977) and Deep Red (1975) before it, Argento seamlessly blends supernatural elements into this 80s Giallo. It’s the feeling we get looking at dolls, masks, and mannequins-things that are almost familiar to us, but not quite. Her most recent movie is “Top Gun: Maverick,” where she plays the role of Penelope “Penny” Benjamin, the love interest of Tom Cruise’s character, Pete “Maverick” Mitchell.Sigmund Freud (I know, but bear with me) defines the uncanny as the strange, sinking feeling of the familiar suddenly becoming unfamiliar. In some interviews, she revealed that while modeling, she had no aspirations to become an actress while modeling. Encouraged by her parents to continue with her film career, she dropped out of college and returned to the film industry the same year. After two years at Yale, she transferred to Stanford University to study acting. She considered herself a geek who spent most of her time in the library. She describes herself as a conscientious student who wasn’t really concerned about having a social life or sleeping or eating a lot. She then appeared on the covers of several issues of the teen magazine “Seventeen” in 19.Īfter graduating from high school, Connelly decided to study English literature at Yale University in 1988. The film, “Once Upon a Time in America,” was released in 1984. Her brilliant acting, and the resemblance of her nose to that of Elizabeth McGovern, who played the adult character, led to her being cast. Despite having no ballet training, she performed a ballet routine at the audition. The next year, she landed her first role in a major movie - the young Deborah Gelly, an aspiring actress, and dancer. In 1981, the family moved back to Brooklyn Heights and young Connelly returned to Saint Ann’s School. Connelly then began modeling for print ads before moving on to television commercials. Her parents agreed and sent a picture of her to the Ford Modeling Agency, which they added to their list almost immediately. When she was 10 years old, a publicist friend of her father’s suggested that she audition to be a model. In 1976, Connelly’s family moved to Woodstock to escape the pollution as her father suffered from asthma. The actress was raised in Brooklyn Heights, near the Brooklyn Bridge, where she attended Saint Ann’s, a private school specializing in the arts. Connelly’s maternal great-grandparents were Jewish immigrants from Poland and Russia. Her father was Catholic of Irish descent and her mother was Jewish, having been educated in a yeshiva. She is the daughter of Ilene, an antique dealer, and Gerard Karl Connelly, a clothing manufacturer. Jennifer Connelly was born on December 12, 1970, in Cairo, New York, in the Catskill Mountains. |
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